(1758-1830), sometimes referenced as Moritz Keller Hoven, was an Austrian painter and etcher. Kellerhoven was born in Duchy of Berg, and spent some time studying art in Antwerp, Vienna, and Italy. He specialized in painting portraits, including many royal subjects. Kellerhoven died in Munich in 1830.   Related Paintings of Moritz Kellerhoven :. | The Passion (detail) af | Hannibal surveying the Italian Prospect | John Campbell, 4th Duke of Argyll | Madame Levy | Portrait of a Man with a Roman Coin |
Related Artists:
Cimabue
Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
Niccolo Di ser Sozzo
Italian Painter, active ca.1350-1363
Losenko, Anton
Russian Painter, 1737-1773 Ukrainian painter, active in Russia. He trained (1753-8) under Ivan Argunov, and from 1758 he was a student at the recently founded Academy of Art in St Petersburg, where he later taught. From 1760 to 1769 he spent time in Paris, where he studied at the Acad?mie Royale de Peinture et de Sculpture under Jean Reteux (1692-1768) and Joseph-Marie Vien. He then studied in Rome.